the other end of the plank

In the fall of 2009, I lost two very influential people in my life. I felt my passion for the craft and life for that matter fade. I struggled, and allowed traditions once dear to me, slip through the cracks. 

After Jim passed, I found it difficult to listen to Jim’s voice, and the lectures he provided me to pass along to our students, were set aside, waiting for the right time. At the beginning of Caroline’s second year, I recognized a spark, one that needed to be kindled. We began listening to Jim’s lectures again, each Friday after class. I later added a slideshow from the archive he passed along to the school. Gradually, I found it was easier to listen, and my feeling of loss was replaced with that of healing and hope.

There is a passage in A Cabinetmakers Notebook that has always been very dear to me. On page seventy three, third paragraph, it reads:

 “ Looking back on it, I realize that not everyone would have done it so consistently. I survived by simply refusing to do things because people wanted me to do them, or resorting to some sort of small series production and doing things multiply - two or three or four at a time. I made one object at a time because of the wood, because of the tools, with a certain idea and hope, and somehow these objects won friends and gradually, gradually, my confidence and experience increased. But for a very long time, it was touch and go. Even now, although people may think that I’ve got it made and things are going fine, even now I am only carrying my end of the plank. Someone else who is sharing life with me and has believed from the beginning in what I am trying to do is carrying the other end of that plank.”  - James Krenov

I read this passage when I presented my first piece, as a student at the College of the Redwoods, in honour of my soul mate, who has encouraged and supported me my entire life as a craftsman. When we set up the school, I felt it important to formally acknowledge the significant others in our lives, those who support us as we followed our dreams. At the end of each program, I would ask a student to read the passage. A few years ago, this tradition too had managed to slip through the cracks. 

Nondas and his wife Melissa visited our school a year ago this past fall. When they contacted the school, and suggested their schedule, Yvonne suggested they join us for our Friday Elephant and Jim’s lecture. I immediately recognized Nondas’s reverence for the craft, and JK. I remembered how carefully he handled one of Jim’s planes, as I handed it to him. This past February Nondas returned and joined us for Impractical Studies, and stayed on for Vidar’s Chair in the summer term. Melissa, spent much of the time commuting between Roberts Creek and Alaska, enabling Nondas to continue his studies. It was on a Friday evening during one of her visits, Melissa said to me, that she had recognized that evenings lecture as the one they had heard during their first visit to the school. It occurred to me then, that it was time to bring back another tradition. At the end of the summer term, students, alumni, family and friends, gathered in my shop to listen to one of Jim’s farewell addresses after which time, I called upon Nondas to read the passage. 

John's composing piece nearing completion

John's composing piece nearing completion

At the end of this past term, I asked John to read the same passage. This was John’s third term at the school in the past year. John arrived with very little experience in the craft, it has been a real pleasure to watch his progression as a craftsman, his focus and dedication to the craft has been an inspiration to witness. John’s lovely wife Haydee joined us for a couple of days in each of his last two terms and kept the home fires burning while John pursued his craft education. John’s fine cabinet in spalted big leaf maple on a stand of kwila is shown nearing completion.

Having completed Impractical Studies this past summer, Alberto returned for the Upward Spiral program and completed a fine reproduction of JK’s pipe cabinet in Garry oak. The wood was harvested locally and was selected by Caroline and myself, with this cabinet in mind. Alberto is in his third term at the school and making templates and selecting the material for Vidar’s chair.

In this past fall term, we had three students complete the Impractical Studies program. We are grateful that all three will be staying on at the school to complete the Upward Spiral program this term. Andrew and Jake will be making JK’s pipe cabinet and Mike will be making JK’s jewelry box.

Caroline is in her third year of study at the school. In the past term she provided our students with an afternoon consult each week, and on occasion supplemented Robert’s lectures with demonstrations of her own. In the coming term, while continuing work on her boxwood and beech cabinet, she will be offering our students two afternoon consults each week. As a teacher I am filled with a deep sense of pride watching her work with our students. Yvonne and I are so very grateful to have this fine young craftsman and dear friend with us here at the school.

Following our winter term, Yvonne and I will be heading to the Tree of Knowledge School in Israel, where I will be teaching a six day class on drawer making and fitting including drawers along a curve. The school is located in northern Israel and was established by alumni Oren Feigenbaum and Nathan VantHof.

Over the break, I managed to spent some time with a few special people in my life, and said goodbye to an old friend. After parking our 1987 Westfalia two and a half years ago we found it a new home. While I was sad to watch as it rolled down the road, I realize that the lifestyle changes that we have made in the time since parking it have been positive in every way. A year long experiment, has lead to a life changing experience for Yvonne and I. We are very fortunate to live and work where we do, and while I am not naive enough to think that everyone can be without a vehicle, simply, it works for us. 

Heart Hand & Eye continues to progress, slow but steady. The book has been a lot of work and a steep learning curve for me. The publisher and the editor have been very supportive and I am grateful for their patience.

“seems I’m talking my whole life, its time I listened now” - Mike Rosenberg 

Over the break, I was able to spend time in my shop everyday. I worked on my cabinet, on chairs with Gary, and on some days, I just puttered. It was during this time, that I realized just how meaningful this time is for me and that I am not quite ready to share it yet. In the coming term, I  will focus my time on teaching, writing and working in my shop. Perhaps when I complete my little cabinet, I will having something more to say. Until then, be well and enjoy your work, I know I am.

 

 

 

 

Welcome, Winter

This week we reopened the school to a full class and some familiar friendly faces. Welcome and welcome back! 

Upward Spiral buddies

Upward Spiral buddies

This first week of the program introduced the idea of grain graphics in wood, a central aspect of our work. We discussed selecting our material with intention, rotating the orientation of the growth rings in a piece when milling, always aiming for the grain to be in harmony with the curves and profiles that we shape in each piece. 

We have added chainsaw milling to this first week to expand upon these concepts, showing how a log can be sawn with the same consideration to grain orientation, yielding boards with the best possibilities for grain that is harmonious with our work. 

Robert and Will make the first cut

Robert and Will make the first cut

Sharpening between cuts

Sharpening between cuts

The students gave the Alaskan mill a go, sawing up an Arbutus log that Robert has had for a couple of years.

Spencer and Mike make a cut

Spencer and Mike make a cut

Thank you all for being here this winter, I am excited as ever to be back. 

Jake cuts Claro walnut

Jake cuts Claro walnut

Farewell Fall Session

Last week we wrapped up our fall session with a final Elephant at Robert and Yvonne’s home. We shared a delicious potluck dinner and several special closing rituals, including a farewell address from JK in Robert’s shop and a bonfire, on a wonderfully clear night. 

I completed the frame and panel joinery on my doors earlier in the week, enjoying a grand opportunity to mortise for the mid-rails of my doors on JK's table saw mortiser in Robert's shop. What fun!

Mortising my mortises

Mortising my mortises

I got three slices out of my piece of spalted Beech, giving me several combinations for the door panels. Stoked to finally lay down the frames and preview my options.

A preview

A preview

I also finished up a little frame out of Arbutus that I had been working on, to house a print for one of my oldest and dearest friends Wei-Ling. I am coming to love the open mortise and tenon joint, strong and simple, and the more I see it the more I am struck by its straightforward good looks. 

Open mortise and tenon

Open mortise and tenon

Rabbet run, frame assembled, ready for strips and pins

Rabbet run, frame assembled, ready for strips and pins

It is my first time using glass in a frame, and I find something so very elegant about this method of pinning it in a rebate with narrow strips of wood, nicely bevelled and edges softened.

Hanging wire

Hanging wire

I spent a good part of a day exploring how the frame would be hung, finally settling on a simple wire, wrapped around brass screws set into the frame. Robert suggested I carve a little groove in the strip for the wire to sit in, a neat touch.

I am very much looking forward to getting to this stage with my doors next session, which will have glass above and beech below, pinned in rebates the same way. 

To the fall session, it has been a pleasure working with and sharing a shop with this awesome dedicated group of craftsmen, most of whom are returning next session for Upward Spirals and a Vidar’s chair. Enjoy your break and see you guys soon!

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